The color plan of the whole space considers the characteristics of the material, emphasizing the light and shadow, the material and the details, so that the high-level gray becomes into a special style. The technique of the space treatment is based on the understanding of the building and of the human being, forming the great stylistic features for this building.
LSD trying to make the installations in the space a “bridge” that uses the relationship between natural light and materials to connect space with matter.The interior consists of a series of open and closed continuums. Light and shadow, combined with changes in the seasons and the sky, present a sense of rhythm of change in space.
Refinery 091 is a themed pub that endeavors to change the way Pubs are imagined. Elements incorporated here have never been used before. The name itself has been derived from the international dialing code of India (91), making it stand out as being an out and out Indian space. Refinery 091 pays homage to the purest form of design by subtly blending the elements lending themselves to both raw and finished decor. Around the place, they seem to be moving towards a refined finish form from a raw looking finish.
At the world’s largest industrial show, KUKA’s booth takes the form of a highly visible, futuristic exhibition structure. Inside it, the market leader in intelligent automation with robotics takes visitors on a trip into networked production landscapes and changing work environments. Cobotics, Cloud Computing or the Internet of Robotics – the thematic areas throughout the brand environment exude and bring to life the spirit of a thought leader and trailblazer for Industrie 4.0.
Loong Palace draws on the painting Fairyland of Peach Blossoms by the painter Qiu Ying in the Ming Dynasty for the context. It covers about 17,000 square meters and faces the Western Hills of Beijing. Adhering to the product proposition of cultural relics begets all things in the world, the project becomes a new landscape combined with the pith of southern and northern gardens to realize the ideal living environment for modern people.
Bodu in Chinese is translated to the act of stopping by to rest during a journey. This act of contemplation encompasses the attempt to create an oasis for travelers on the ancient silk route. The design focuses on the exterior canopy which connects different parts of the hotel. Like the trade outposts of old, the canopy provides public spaces that connects with the nature. Visible boundaries are also weakened between different interior spaces, allowing guests to make connection more freely. The most important thing about design is not the form of design, but the value of experiencing nature.
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